VI

This long buffalo must bend to fit into the room and snorts its charged breath against the automan its charged tangle of brown fur barbs and sparks like exposed lightbulbs and lightning coming nearer. Black clouds bust the windows and crash in shouting thunder at my petrification while the hot buffalo stinks and hoofs holes in the ground. He bucks, his eyes glow red as he thrusts them into mine, contorting to level his power at me and demands. The scorch of the lightning flashes against my face. The scorch is bottled in the freezer. The buffalo twists his purple scowl and blows living, wretched breath on my face, his horns gleam dimly in the violence of the cracks and he demands we split open the freezer and douse the flaming wicks licking up our spines. Lightbulbs shatter again and I mince the pieces, sweep them into a highball glass and pour eight fingers. The buffalo grows a size and the walls start to shudder, lightning swelling and pounding against them. He mauls the glass, takes it highball and all into his insatiable maw and chomps. Purple blood beads the thin lining of his purple mouth, I kneel and pull myself before him. The black clouds rumble and throw molten maelstrom harsh around the room, I wrap my arms around his head and squeeze the beast's face against mine, licking the blood from his tongue, fitting his jaw around my delicate, human kneck. I am drenced in spit and purple blood, lubricated for any mortal passage. His jaws mightily and slowly clench. The lightning begins to quiet. His fangs prick seven spots in my white flesh. A bolt strikes and ignites the floor. His tooth saws agains the mineral deposit, my spine. I am candle, he chomps down, and through, breaks my wick, saves me from the fire.
Burns Usher's house burns
Crinkles wallpaper
Crackles floorboords & beams
Bend, forests falter in face of
Fire. Me, ruin. He, ruin. We, ruin ruins ruins.
Pelt. Just pelt.


J.s.S

V

If you’d care to think of it now:


A forest made of hair

An undergrowth so dense

No hound can bay through it

or ,

The kids giggle quietly

But you cant see them;

They snuggle in shadows


But their eyes hold milk

That drips amid the trees,

That, you can see.


Their bodies’ sheen

Like the oiliness of a magpie;

They flit through the forest

Like droves of magpies


Of magpies,

I was once told:


1 for despair

2 for joy

3 for a girl

4 for a boy

5 for silver

6 for gold

7 seven for a secret never to be told


Secrets and truths

Wan and green

Buried like sunken forests,

Their forms fan out in the tide

Until little baby darkness

Collapses in pieces

Pierced by light

So terrible

I don’t care to think of it,

Face crusted over with sleep;

No crown rends my dull brow

All thorns are dulled by quiet

And God lay there:

With the white languor of a woman

Expecting neutral company

Or guests that would hover

And say nothing, but smile

And look upwards


God was covered in petals;

The roses and violets of horror

But smiled as if nothing was wrong


These days

Which we forever think about

These days


No forest remains

But a beach:

Licked and sucked by the ocean

The beach like a set of feeble gums

To suck and slurp at the ocean;

The beach like a sick mouth

Hanging open, yawning


The kids crashed together

Gnashed their teeth

Burning in garish light

Lolling in the frothing foam

Of that dissolving strand

Smashing one another

Like a fool banging symbols


God sat alone in the dunes

Smiling; his legs crossed

And back bent:


He might be watching

The kids rolling in the sea

But it might only be

Oil shining on a puddle


And if the kids

Hurt so deeply

Why did God smile

When they ran to him

Out of the sea

Up the shore

Little paws held up

With their bird’s confusion

And absurd sorrow?


He didn’t understand

Or didn’t care to think of it,

He just smiled

with eyes like stained glass



The kids ran on the beach

And God raised his head

Slowly and ponderously

Like a great dog

Watching the distant interest

Drift across those sands

God rose and followed them

The sands slid from beneath him

God stumbled and staggered

When he reached the kids

They were squatting

In the carrion sand

Their faces to the dirt

They dug the sand

Until brine began

Pooling in the hole

it made a sound like

"*suck*"


The kids raised their faces to God,

To say: "Nothing gets out alive"

Breathing a chaos stronger than creation,

Their faces true bone carvings of hatred


They held shovels in their hands

And held roses in their teeth


They beat him until he was dead

And dragged his body to where

The waves lipped the shore


I don’t care about any of it

I cant be bothered at all

Today I wont wake up

All parts of me flowing away

Draped in slithering silks

I am marvelously pomp

Will I work today?

No, I will only smoke


The moonlight sifted down complacently

God’s body lay in the lapping tide

Years passed and it sank into the sand


There are barks of thunder

And invisible gasping clouds

Surely it is a time for umbrellas





Sincerely,

Jamie

IV


more criminal than i,
the unibomber is my wingman

III

When there is an obligation Krug will forever miss that obligation. A great pity, for there is always an obligation (one which he is fated to miss). He is granted little time to rage over or lament the missed obligation before he, with great alarm, will recall another obligation to which he is obligated.

We will find him scurrying along the edges of sidewalks holding with one hand a tattered hat and with the other a shabby valise. He was at the moment engaged as such, and was scurrying most frantically.

He tripped on a loose stone in the pavement and dropped his hat. Bother, a hat is soiled still more. But what a surprise! What an alarming treasure it was that Krug had found, nestling like a quiet white bird in a crevice between the rough stones of his obligations. A bit of time, it was. The countenance of Krug expressed incredulity.

He did not know what to do; he did not know what to do at all, confronted by this idle, loafing time, slouching like a criminal.

He did not know what to do.

He wandered to the outskirts of a forest bordered by a river. The forest looked damp, he could not see it with great clarity--refracted, so it was. Oh yes, he did see a footbridge that might be crossed to enter the forest. The footbridge sloped downwards, as if breaking or sinking. What a brazen maneuver to cross that bridge, indeed. But crossed it, yes. Oh! Like a bather, he sidled along a path that ran into the woods. He did so guiltily, for he felt nude. From the path he could see a field, green and blue, it all was very still; fog hung above it. Krug could see the rays of light, solid and definite, frozen in the swishing blue haze above the swaying green grass. He wandered still further and paused by a tree. Great sections of the trunk were exposed, how unnatural. Green and blue. Aquamarine, that is. It was, that trunk. Mud or clay, rich and malleable, it looked. What to mold, what to shape, out of that trunk? A small village, an aquarium for the birds, many little people, a woman? Is a mermaid is a good thing to encounter? No, they suck you beneath the foam into the deep that is thick with cold and you will drown. Krug pressed, with inquisitive foot, the trunk to see, for it was a time of spare time and ridiculous fantasy. The trunk was hard, not to be molded. A pity. He stood beneath the tree for a moment and looked at the trunk, how wet it looked. He looked up, higher up, above the surface of the water, the tree looked dry, white, cracked, brittle, sick; coral dies when it says above the water, it does. Disgusting! How sordid up there! Scattered around the tree were the curled up, shrunken corpses of leaves—yellow or beige, they were. As shrimp, many dead shrimp—the absurd husks of dead shrimp! What!

He thought he looked at them for a long time, but it wasn’t. It is never a long time when Krug thinks it has been. Krug waved his tentacles, a marvelous squid. He did not move then. He waved his fins; he was a burst swimmer, that's right. When there is less drag than thrust, Krug can swim. Bravo, Krug!

So he swam along his path. Then he saw the bridge and some ducks swimming below the bridge, down below the bridge, in the water. How upsetting! Those ducks do not cohere! Krug spat at one and then felt ashamed. He made a bashful face and held his hat in his hands, penitent (the valise, it would seem, has been lost). Devil take the ducks, Krug’s face expressed righteous indignation. Of course, he knew now that he would drown before very long.

II

an idiot is on a train,
looks out the window

one could say that we had on this day:

a) a sky full of wrath
b) england's fog and sweat
c) a good day for ducks


this is what the earth's shit looks like:

shit 'virescent'
shit 'burnt sienna'
o, 'heliotrope'
shit to you as well

wow!
im so into colors!
but this sentiment
goes unheard!
good!


the idiot stares:

"cloud"
"a cloud, that is"

"a grey one"


the idiot looks:

"cow"
"there is one cow"

"moo, they say"


I


A DREAM DREAMPT BY A DEAR FRIEND OR A VERY LOST ARTICLE OF CLOTHING:

CONCERNS 2 FIGURES:

A.) a child who wears the hapless fleece (whom for the sake of brevity will be referred to as ‘the hapless fleece’, but is not, as unaware speculation might chance to presume, the wooly covering of a sheep or goat, nor is the personnage a soft and warm fabric with a texture similar to sheep’s wool)

B.) a severe inquisitor (who remains unsmiling)

[set beneath: the echoes and light that played in the domed basilican roof of the library]

--------------------------------------------------------------------------

QUERIED the severe inquisitor:

"Provide the surname and forename the subject concerned."

QUOTH the hapless fleece:

"..."

QUERIED the severe inquisitor:

“State the age of the subject.”

QUOTH the hapless fleece:

“Between 30 and 80 years hold to his name and person.”

(a severe inquisitor grows yet more unsmiling)

QUERIED a severe inquisitor:

"In what areas of academic expertise and experience, was the subject possessing knowledge?"

QUOTH the hapless fleece:

"Philosophy, History, Literature, Art, Cognitive Science, Egyptology, Classical Music, Mathematics, Classics and Antiquity, Epistemologies, Etymologies, Forestry, Law, Modern and Ancient Languages, Astronomy, Chemistry, Anatomy, Biology, Bioluminescense, Culinary Arts, Numismatics."

QUERIED the severe inquisitor:

"What demeanor would an observer find to be most freqently expressed in the subject’s countenance?"

QUOTH the hapless fleece:

"Thoughtfulness, Solemnity, Gravity, Ponderousness."

QUERIED the severe inquisitor:

"Could the subject ever have been said to have executed 'a ponderous dance'?

QUOTH the hapless fleece:

"Never."

QUERIED the severe inquisitor:

“In what sublunary localitys was the subject most frequently to be found?”

QUOTH the hapless fleece:

“The cobblestone streets, the quiet libraries, the upper-deck of the double decker busses, the dimly lit restaurants, amongst the clouds of chalk dust, on the paths of the botanical gardens.

QUERIED the severe inquisitor:

"When embarking on a walk through the gardens, what accompanied the subject?"

QUOTH the hapless fleece:

"A large felt hat, a mahogany pipe, a cane on which rested the carved head of a duck, a beard, a careful gait, lofty meditations."

QUERIED the severe inquisitor:

“In which cerebral localities was the subject always found?”

QUOTH the hapless fleece:

“The most noble territories of the mind.”

QUERIED the severe inquisitor:

“What was the subject’s highest ambition while in childhood?”

QUOTH the hapless fleece:

“To grind an organ in a crowded square accompanied by a White-headed Capuchin monkey performing acrobatic tricks.”

QUERIED the severe inquisitor:

"Of what quantity numbered the subject's pupils?"

QUOTH the hapless fleece:

"More than would blacken the sky."

(a severe inquisitor darkens with rage)

QUERIED the severe inquisitor:

"Were classes held in the sky?"

QUOTH the hapless fleece:

"No."

QUERIED the severe inquisitor:

“With what degree of respect and reverence did his pupils and colleagues regard him?”

QUOTH the hapless fleece:

“The utmost.”

QUERIED the severe inquisitor:

“What cognomen was bestowed upon the subject by the pupils?”

QUOTH the hapless fleece:

“Theognis.”

QUERIED the severe inquisitor:

“What was the subject’s most preferred piece of music?”

QUOTH the hapless fleece:

“Edvard Krieg’s “In der Halle des Bergkönigs” or “In the Hall of the Mountain King.”

QUERIED the severe inquisitor:

“With what decorative awards, medals, laurels had the subject been bestowed?”

QUOTH the hapless fleece:

“The Master’s Award for the Outstanding Academic Achievement Aware, the Academic Pro-Rector’s Excellence Award, The Best Dissertation Award, Dean’s List, High Honors, The Purple Heart, The Innovative Small Business Award, The Wolf Prize in Agriculture, The Iron Cross, the Bruce Medal (awarded by the Astronomical Society of the Pacific), Mr. Universe, Miss America, the Hubbard Medal (awarded by the National Geographic Society), the Comstock Prize in Physics, a Prince Nez awarded by an Australian Magnate, The Rabbi Martin Katzenstein Award, Orange Ribbon in Regional Bridge Tournament, The Lawrence of Arabia Badge, the Gold Award (Girl Scouts of the USA), a Badge of Recognition for Those Who Have Saved the Queen of England from Drowning in Ale, Le Legion d’honneur, L’Ordre National du Merite, L’Ordre des Arts et des Lettres, L’Ordre des Jambon et Fromage, the Mark Twain Prize for American Humor, Hero of the Russian Federation, Employee of the Month (Burger King), Community of Christ International Peace Award, Caird Medal.”

QUERIED the severe inquisitor:

"How did the subject dine?"

QUOTH the hapless fleece:

“Alone.”


(a smile is faintly perceptible)

II

The duchess had been bothered by a reoccurring nightmare. The nightmare, though not by any means disturbing or violent, had left a deep impression on her thoughts. The duchess would be sitting on the seashore, quite alone, looking out to sea. She would see nothing there; the infinite tranquil voids of blue sky reflected in the equally serene glass of the ocean, the diminutive, slightly curved, as if drawn in careless pencil, line where the two converged at the horizon and perhaps, a garbagey little bird clumsily diving into the water and then reemerging with a fish in mouth. In a word, sights that would not be out of place in a pleasant dream. The space of the ocean presented to the dutchess, endless in its blank plenitude, was a vastness she found comforting, and she would wriggle her toes in the sand and lower her eyes as she allowed herself a small smile. But she would raise her eyes after a moment and notice, far off, a miniscule speck, formerly absent, on the horizon. She scanned the horizon and noticed others dotting the periphery of the oceans surface, barely perceptible, but becoming increasingly numerous as she looked harder. Then the unmistakable dark pall of doom would settle over her and she would think to herself, “Ah yes, of course, the islands are rising. What a horror.”

By what means did these islands creep into the duchess’s mind, to crouch like odious beasts in the distant haze and spoil her seaside leisure? We cannot, as much as we might like to, illuminate the lightless recesses of her mind and find the place from which the islands had crept in and established their troublesome camp. The possibilities, daunting in their boundlessness, are not to be speculated upon. They are too far away and too great in number for us to make reasonable assertations. Regardless of these uncertainties, we may be sure that several years after the death of the duke, the duchess, having emerged from the frozen cocoon of the obligitory (but in her case voluntary, for she loved the late duke dearly) period of mourning, rose early from her lonely bed after having one of these nightmares and, finding that the view from the windows revealed the green forest surrounding the estate to be utterly obscured by a vast and impenetrable fog, ordered her manservant to ready the barouche.


They set forth. Trudging through the walls of fog at a funerary pace, there was: a team of fine sable stallions with blinds over their eyes, a portly coachman who stroked ridiculous sideburns and wheezed, a carriage, of limber and somber dark wood imported at great cost, within which sat the dutchess with her eyes like bruised moons, wrapped in innumerable layers of glistening crepes. So there, across well traveled roads, but very much alone, they went.

Presently the equipage arrived at a wharf, where the back of a faded fisherman sitting on an overturned vessel came into view. Presently noticing the arrival of the equipage that had so unexpectedly appeared, the man, who had been pondering vaguely the fog that hung so thickly above the lake, hopped from his perch and approached the splendid carriage meekly, with shabby hat gripped between his hands. We see the dingy fellow standing by the window of the carriage, shifting from foot to foot and every so often nodding vigorously, but alas, our vantage point does not allow us to evesdrop on this conversation. But no matter, for moments later the fisherman scurried away and stationed himself at the oars of a spidery little skiff with cracked red paint, where he was shortly joined by the silent duchess who gathered her voluminous skirts as she sunk into the boat, allowing us to make fairly confident suppositions concerning the nature of their conversation. The skiff pushed off, leaving small crystalline ripples in its wake and soon disappeared, swallowed by the fog. On the wharf, the driver sat on the coachbox, grumbled something to himself, and vaulted in some direction a globule of foul black tobacco spit.